SINGLE REVIEW: Muki – Level Mind Fuck

It’s been a little while since we last heard from Muki, and let’s just say it’s about time that she delivered us some new PC-pop bangers. Following the release of her infectious last single ‘I Know What I Like’ late last year, the singer-songwriter relocated to the UK where she worked on collaborating and finding…

SINGLE REVIEW: Mason Watts – Enough’s Enough

“So tell me darling, how do you know when enough’s enough?” Mason Watts vulnerably ponders in his emotionally raw new single ‘Enough’s Enough’. It’s a personal question that will find yourself contemplating a time where you’ve had to question that same mindset. For me, I was taken back to the toxicity of my last relationship…

SINGLE REVIEW: Nick Ward – Holding The Man

With his debut EP imminently ready to be unleashed to the world, Nick Ward is giving listeners one final single which rounds out the exploration of his sexuality and his coming out experience. The title ‘Holding The Man’ pays homage to the Aussie memoir that changed his life, while the lyrics dive into the expectations…

LIVE REVIEW: George Alice – The Zoo

George Alice has had a whirlwind 12 months. After winning the 2019 triple j Unearthed High competition, the Adelaide singer-songwriter came in at number 64 on the triple j Hottest 100 in January with the breakout single ‘Circles’, and has been growing her profile with the infectious ‘Stuck In A Bottle’.  With restrictions slowly beginning…

INTERVIEW: Cry Club

Rioting onto the scene with an angsty confidence, Cry Club were one band that quickly made their impression through a rapidly building fanbase and a growing discography that candidly explored self-discovery. Creating a safe space within their music and their accompanying live shows, they’ve been able to give a queer and multi-angled representation in pop-punk…

INTERVIEW: Woodes

Woodes has always been an artist that has had a very artistic and visionary approach to her music. Ever since the release of her self-titled EP in 2016 she’s been creating a magical world for her music to run free within, and with the release of her debut album ‘Crystal Ball (out now) she takes…

INTERVIEW: Evie Irie

With a growing discography of bonafide bangers with a serve of mash on the side, Evie Irie has continually proved herself to be one-to-watch. With over 20 million combined streams already, you better keep your eyes peeled because she’s ready to keep on surprising you with an impressive deep dive into her emotions while serving…

SINGLE REVIEW: Eves Karydas – Get Me So High

Earlier this year Eves Karydas delivered one of the catchiest pop songs of 2020 with the anthemic ‘Complicated’. It heard the Brisbane based singer-songwriter taking the DIY alt-pop palette that her debut album was soaked in, and layer all of these innovative and polished sounds to create something that felt fresh and euphorically engaging. It…

LIVE REVIEW: Cub Sport – The Tivoli

2020 has been a year full of uncertainty, change and revelations for everyone. There was no escaping the impact it unexpectedly made, and Cub Sport’s fourth studio album ‘LIKE NIRVANA’ perfectly soundtracked some of the more personal reflective moments for a lot of people following it’s July release. This record is a deep and open…

ALBUM REVIEW: Kylie Minogue – DISCO

Kylie Minogue is helping inject disco back into 2020 in a huge way with the release of her appropriately titled fifteenth studio album, ’DISCO’. This cohesively sparkly and playful collection of tracks is her strongest body of work since ‘Aphrodite’ in 2010. From the well executed concept, to the immaculately produced tracks, and the infectiously…