Scottish rising star Be Charlotte is confidently laying the foundations for an impactful pop career through a steady release of tracks that honestly introduce who she is as an artist. From the early beginnings of ‘Machines That Breathe’ in 2016, she was quickly catapulted into the spotlight with international touring opportunities and European festival slots….
Year: 2020
ALBUM REVEW: BENEE – Hey u x
BENEE has deservingly become New Zealand’s biggest international breakthrough act since Lorde. With the smash hit singles ‘Supalonely’, ‘Soaked’, ‘Glitter’ and ‘Find An Island’ already under her belt, it was only a matter of time until the singer-songwriter finally dropped her debut album. Following in the steps of her highly acclaimed EP’s ‘FIRE ON MARZZ’…
SINGLE REVIEW: Billie Eilish – Therefore I Am
Following the release of her critically acclaimed debut album ‘WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?’ last year, Billie Eilish isn’t showing any signs of slowing down with a steady trickling of new singles starting to flow. ‘My Future’ was the dreamy markings of new beginnings, while the definitive new single ‘Therefore I…
SINGLE REVIEW: 3OH!3 feat. 100 Gecs – Lonely Machines
THIS IS NOT A DRILL… 3OH!3 ARE BACK! The dynamic Colorado duo are ready to have you dancing again to DIY gritty electronica-pop fusions with big hooks that could be screamed in mosh pits across the world. Back to where it all started on the indie label ‘Photo Finish Records’, they’ve dropped their highly anticipated…
SINGLE REVIEW: Crooked Colours – Falling
2020 has been a hard year for everyone, and for Crooked Colours it saw their touring completely disappear. But while this could’ve been taken as a negative, it actually gave the band some much needed space and perspective which allowed for their third studio album to start taking form. And what that means for fans…
SINGLE REVIEW: Eilish Gilligan – Calling Me Out
Eilish Gilligan is in intimate songwriter mode at the moment, and giving listeners delicate pop songs full of heavy emotion and intricate soundscapes. ‘Calling Me Out’ follows in the footsteps of the recently released ‘Flesh’ which delivered some fully realised ‘Folklore’ vibes. And now she’s soaking herself in the melodramatic aesthetic further with this haunting…
SINGLE REVIEW: Muki – Level Mind Fuck
It’s been a little while since we last heard from Muki, and let’s just say it’s about time that she delivered us some new PC-pop bangers. Following the release of her infectious last single ‘I Know What I Like’ late last year, the singer-songwriter relocated to the UK where she worked on collaborating and finding…
SINGLE REVIEW: Mason Watts – Enough’s Enough
“So tell me darling, how do you know when enough’s enough?” Mason Watts vulnerably ponders in his emotionally raw new single ‘Enough’s Enough’. It’s a personal question that will find yourself contemplating a time where you’ve had to question that same mindset. For me, I was taken back to the toxicity of my last relationship…
SINGLE REVIEW: Nick Ward – Holding The Man
With his debut EP imminently ready to be unleashed to the world, Nick Ward is giving listeners one final single which rounds out the exploration of his sexuality and his coming out experience. The title ‘Holding The Man’ pays homage to the Aussie memoir that changed his life, while the lyrics dive into the expectations…
LIVE REVIEW: George Alice – The Zoo
George Alice has had a whirlwind 12 months. After winning the 2019 triple j Unearthed High competition, the Adelaide singer-songwriter came in at number 64 on the triple j Hottest 100 in January with the breakout single ‘Circles’, and has been growing her profile with the infectious ‘Stuck In A Bottle’. With restrictions slowly beginning…