SINGLE REVIEW: Foals – Exits

English indie-rockers Foals are back after a four year break and they are ready to experiment even further with their pop influences. ‘Exits’ is the first single from their forthcoming fifth studio album ‘Everything Not Saved Will Be Lost – Part 1’ and reintroduces themselves to listeners in classic Foals fashion. The track is playful,…

SINGLE REVIEW: Kate Miller Heidke – Zero Gravity

Later this year Australia will host Eurovision for the first time so to celebrate this momentous event the country will also host it’s first ever Australia Decides competition. Hosted on the Gold Coast, the competition will see some of Australia’s most prestigious acts battling against each other to represent the country. Each contestant has to…

ALBUM REVIEW: Mike Posner – A Real Good Kid

There was always just something about Mike Posner that I really struggled to connect with. He came across a little arrogant, a little too entitled and I struggled to have empathy or relate to his more vulnerable moments. But the talented singer-songwriter has always known how to tell a good story and create a catchy…

ALBUM REVIEW: Cub Sport – Cub Sport

When I was coming to terms with my sexuality I wish I had an album like Cub Sport’s self-titled record to console within. After years of internally fighting with myself and being told who I was meant to be and who I was meant to like, I finally took the early steps to confront my…

ALBUM REVIEW: Maggie Rogers – Heard It In A Past Life

After Pharrell Williams discovered her at a University mentoring program and publicly endorsed her magical style, Maggie Rogers has been apart of every must watch list. With her singles ‘Alaska’ and ‘Light On’ breaking her through to mainstream media, her debut album has been a very highly anticipated body of work. And ‘Heard It In…

EP REVIEW: G-FLIP – Drink Too Much

Viral. That’s the only way to describe the insanity of G-Flip’s 2018. In a matter of months she blew up, toured the world, sold out headline shows and started playing massive festivals with only two songs released. Now the Melbourne singer-songwriter is adding to her discography with the release of her debut EP. And it…

SINGLE REVIEW: Ariana Grande – 7 Rings

Ariana Grande is really proving that she can do anything and she’s not letting critics, ex-boyfriends or anything get in her way. ‘7 Rings’ is a continuation of her shift into RNB-pop music and continues the mid-tempo slow jam sound that ‘Thank U, Next’ injected. It’s sort of the next chapter as it goes from…

SINGLE REVIEW: Dean Lewis – 7 Minutes

Following the massive success of ‘Be Alright’, ‘Waves’ and ‘Chemicals’, Dean Lewis has experienced a very rare level of fame. With sold out shows all over the world, songs featuring on massive TV shows and number one singles topping the charts without even releasing an album is not an easy feat. With his debut record…

SINGLE REVIEW: Eilish Gilligan – The Pull

Delivering high emotions, raw intensity, slick production and honest storytelling, Eilish Gilligan’s discography is a thrilling roller coaster of feelings. From the DIY approaches of ‘Creature Of Habit’ and ‘This Feeling’ to the polished indie-pop stylings of ’S.M.F.Y.’ and ‘Patterns’ she’s offered a very cinematic and theatrical soundscape. For her first release of 2019 she’s…

SINGLE REVIEW: Hozier – Almost (Sweet Music)

After successfully cracking the mainstream market with his alternative blues fusion in 2014, Hozier is finally returning with his sophomore studio album. ‘Wasteland, Baby!’ will be released on March 1 and hears him continuing the sound that you fell in love with him for. ‘Almost (Sweet Music)’ is a relaxed blues track that has a…