Sometimes we just need to feel raw anger. We need to let that rage boil inside of us that is excitingly dangerous and poignantly emotional at the same time. And that’s the concept that Odette has explored on her highly anticipated first single since her 2018 debut album, ‘To A Stranger’. ‘Feverbreak’ hears the…
SINGLE REVIEW: San Cisco – Reasons
Layering their sound with a bright nostalgic palette, San Cisco are setting the foundations for you to dance your way through 2020. Returning late last year with the groovy ‘Skin’, the Fremantle indie-pop trio hit the road for an intimate run of shows that saw them reacquainting themselves with their long-term fans. And 2020 will…
GALLERY: Geowulf – The Outpost
With global influences from their individual personal experience pouring into their unique sonic, Geowulf are ready to inject some dreamy indie-pop into your bloodstreams. Hailing from the Sunshine Coast, the now London based soulful duo are currently making their way around Australia to celebrate the release of their sophomore record ‘My Resignation’. Returning home to…
LIVE REVIEW: Werq The World – QPAC
As the global takeover of drag continues, Voss Events have brought their over the top and pure fabulous production, Werq The World, to Australia for a second year of more lip sync assassinations, glittery sequins, fierce choreography and jaw dropping aerialist numbers. The intergalactic themed 2020 tour sees a line up of Rupaul’s Drag Race…
INTERVIEW: Hartley
Hartley is one of Australia’s most exciting and promising newcomers and with her career newly in rising fruition, the future looks very exciting. The insanely talented singer, songwriter and producer is a self-taught machine and has been honing her sound and musical vision over the last couple of years to get it to the innovative…
SINGLE REVIEW: Alex Lahey – Sucker For Punishment
Following the release of her reflective sophomore record ‘The Best Of Luck Club’ and the huge headlining tour that followed it last year, Alex Lahey is kicking off 2020 with no signs of slowing down. With a huge UK tour in March supporting The Regrettes and a headline East Coast tour of America in May,…
LIVE REVIEW: Cry Club – The Zoo
2019 was a big year for Cry Club but something tells me 2020 is going to be an even bigger one for the glittery punk-pop-rock duo. After showcasing to rave reviews at BIGSOUND 2019 to releasing their diverse and bold singles ‘DFTM’, ‘Two Hearts’ and Robert Smith’, to also being named the #1 most played…
ALBUM REVIEW: Oh Wonder – No One Else Can Wear Your Crown
Finding their confidence within the balance of experimentation and the art of vulnerability, Oh Wonder’s third studio album is a sonical exploration of who they are as artists and what they want their legacy to be. ‘No One Else Can Wear Your Crown’ is a confident collection of tracks that hears the British duo diving…
ALBUM REVIEW: Birds Of Prey Soundtrack
Compiling a specially curated soundtrack of all female artists, Birds Of Prey cohesively spreads their female empowerment message from the screenplay, to their cast and crew and right through to their bad ass soundtrack. Embodying the chaotic, sassy and empowering energy of the movie, this soundtrack finds the right balance between heart, messaging and pure…
EP REVIEW: JP Saxe – Hold It Together
After serenading the world an apocalyptic love song appropriately called ‘If The World Was Ending’ with Julia Michaels late last year, JP Saxe has become an artist that a lot of people want to get to know. The Canadian singer-songwriter is ready to open himself up more to listeners with the release of his debut…
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