After the moody and dark introduction of ‘Wonder Drug’ late last year, it’s no surprise that Allday is heading towards a heavier and mature sound. With his third studio album ‘Starry Night Over The Phone’ slated for release later this year he’s further exploring the production he experimented with on his sophomore record ‘Speeding’. Dedicating…
SINGLE REVIEW: Ashlee + Evan – Phases
After the launch of their collaborative project Ashlee + Evan last year, the husband and wife duo released their debut EP, launched their reality TV show and embarked on a massive North American headline tour. It was a mature and intriguing comeback for Ashlee Simpson who hasn’t released new music since her 2008 album ‘Bittersweet…
SINGLE REVIEW: Crooked Colours – Hold On
Perth trio Crooked Colours are absolutely killing the electronic circuit at the moment. With their highly anticipated sophomore album ‘Langata’ slated for a May 17 release they are premiering new songs on the Groovin The Moo festival tour at the end of April before playing some of their biggest headline shows to date just after…
INTERVIEW: Keelan Mak
Residing in the humble streets of Brisbane, Keelan Mak is one of Australia’s future indie-pop stars. With the release of his debut singles ‘Weigh You Down’ and ‘Flicker’ last year, he introduced himself to listeners as a even moodier answer to Troye Sivan meets Rufus. Soaked in dark synths, these tracks showed an immediate maturity…
LIVE REVIEW: Kodaline – The Triffid
With the stage covered in moody blue and yellow lighting, the crowd that was packing into The Triffid roared with excitement as Kodaline took to the stage for their first Australian tour since 2014. Launching straight into ‘Follow Your Fire’ and ‘Brand New Day’ they ignited the first of many singalong’s and cohesive group handclaps…
ALBUM REVIEW: Dean Lewis – A Place We Knew
The key to music is honesty. We all just want to relate, feel emotion, smile, laugh, cry, dance and sometimes do all those things at once. And that’s the ultimate power of music because it allows you to do all of that. It allows you to escape your life for a moment or sometimes find…
ALBUM REVIEW: Greyson Chance – Portraits
2019 sees Greyson Chance reintroducing himself to the world as a mature man. His long awaited sophomore studio album ‘portraits’ is a bold, emotional and honest collection of tracks that dives head first into the last year of heartbreak and confusion that haunted his mind. Opening with the romantic and vulnerable ‘Shut Up’ he lays…
SINGLE REVIEW: Iggy Azalea – Sally Walker
Sometimes if an artists vision isn’t being received or promoted the way they want it to be, the best thing they can do is go independent to be able to have full control of what and how something is released. And in Iggy Azalea’s case this is probably the best thing she could’ve done. She…
SINGLE REVIEW: Sofia Reyes feat. Rita Ora & Anitta – R.I.P
I think it’s so great that as of lately there has been such a spotlight put on Latin music in the global mainstream market however it’s becoming a little overdone through imitation. So when an actual Latin artist releases a song we become a little unimpressed and unfazed by it. And that’s what has happened…
SINGLE REVIEW: Lennon Stella – Bitch (Takes One To Know One)
On the back of her rise to fame on the hit TV show Nashville, Lennon Stella has done a lot of growing up and has impressively matured as an artist. Her new single hears her diving into an untapped experiential pop delivery that will have you obsessing instantly. ‘Bitch (Takes One To Know One) is…
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