From the moment I saw this title, I already knew where this direction was going to go and I wasn’t excited. Recently R3HAB has been playing it safe and releasing tracks that fail to create a memorable impact and that’s a shame because the Dutch producer does have big potential in this saturated EDM market….
SINGLE REVIEW: George Maple – Champion
After the release of her debut album ‘Lover’, a glorious sold out headline tour and a run of dates with Lorde, George Maple started to ponder what was next. How was the next chapter going to sound. What impact did she want to have as an artist. And it only felt right that she went…
SINGLE REVIEW: Meg Mac – Something Tells Me
By now we all know that Meg Mac can sing. Because she can. She’s powerful, captivating and has this magical hold on the listener. But it’s safe to say that some of her music is becoming a little repetitive and familiar and her new single ‘Something Tells Me’ is a perfect representation of this. On…
SINGLE REVIEW: David Guetta feat Brooks and Loote – Better When You’re Gone
I used to think David Guetta was so innovative and had such a strong vision to the future of dance music. But over the past couple of years he’s proven to just follow trends and fall into line with the rest of dance music’s current sensations. Which is a shame because ‘Nothing But The Beat’…
SINGLE REVIEW: Patrick James – Up
After the release of his debut album ‘Outlier’ in 2016 and touring with the likes of The Paper kites, Boy & Bear and Emma Louise, Patrick James has had a bit of a break to re-discover what sort of artist he wants to be. And his forthcoming new EP ‘What We’re Fighting For’ is being…
SINGLE REVIEW: Kelly Rowland – Crown
I was eight years old when Kelly Rowland released ‘Stole’ and I didn’t realise at the time just how important this song was going to be as a foundation of empowerment. Over the following years I started getting bullied and mental health started playing a factor in how I was thinking and feeling. But there…
INTERVIEW: Sasha Sloan
“I guess being me just means being sad” a reflective sounding Sasha Sloan giggles halfway through our interview. The Californian singer-songwriter has branded her music and image as “sad girl music” and she’s unapologetic about it. She explains how opening up to the world in such a vulnerable and honest way has been really therapeutic…
INTERVIEW: Broods
Stepping into a neon fantasy, Broods third studio album ‘Don’t Feed The Pop Monster’ is their most experimental and honest affair yet. Forever evolving and growing their sound, the New Zealand brother and sister duo have proved once again that they will never be a predictable indie-pop act. They’ve managed to create a pop record…
LIVE REVIEW: Laneway Festival – Brisbane Showgrounds
With the summer festival season coming to an end, Laneway Festival has become a bit of a tradition for Australian audiences to discover new acts that are going to dominate in the future. With acts like Lorde, Chvrches, Florence + The Machine, Mumford & Sons, Tame Impala, HAIM, Amy Shark, Billie Eilish, Vance Joy and…
SINGLE REVIEW: Jarryd James – Slow Motion
Jarryd James’ debut album ‘Thirty One’ was a melancholic collection of tracks that floated in the alternative-pop world. After taking a few years off in between releases to tour the record, spend some time with his wife and work on the next continuation of his career he’s ready for the next chapter. The first taste…
BLEACHED 