Disco is back and well and truly alive and so is Betty Who. ‘I Remember’ is the synth heavy 80’s pop moment that you’ve wanted so badly and will have you desperately craving more music like this. Ever since going independent again, Betty Who has been delivering strong, innovative and funky tracks full of emotion…
SINGLE REVIEW: Catfish And The Bottlemen – Longshot
It’s been three years in-between releases for Catfish And The Bottlemen, so it’s safe to say new music is well overdue. Luckily for us the Welsh four piece have kicked of 2019 by delivering a bold and fiery new track. ‘Longshot’ captures the raw essence of their old music and delivers a big festival ready…
SINGLE REVIEW: Lana Del Rey – Hope Is A Dangerous Thing For A Woman (But I Have It)
With her third studio album ‘Norman Fucking Rockwell’ due later this year, Lana Del Rey has kicked off 2019 with another exclusive fan track. ‘Hope Is A Dangerous Thing For A Woman (But I Have It)’ is a minimal and sweeping track that is simply beautiful. But that’s where it stops. It’s beautiful, but it’s…
SINGLE REVIEW: Billie Eilish – When I Was Older
Following the cancellation of her Australian tour to finish working on her forthcoming debut album, Billie Eilish has dropped a new track for the Netflix film ‘Roma’. The ‘Inspired By’ soundtrack is a collection of tracks compiled by the director from a whole range of different artists. Teaming up with her long time collaborator and…
LIVE REVIEW: Sasha Velour – Brisbane Convention Centre
The art of drag is all about the performance, the shock factor, the innovation and the entertainment and emotion it creates. The success of Rupaul’s Drag Race has become a great platform to put a spotlight on the different types of drag and give queens a chance to further inspire audiences. And Season 9 winner…
LIVE REVIEW: Parcels – The Triffid
After conquering Europe and releasing their self-titled debut album in 2018, Parcels have returned home for a massive sold out Australian tour. The Byron Bay five piece relocated to Berlin where they found a niche in the market with their groovy 70’s and 80s synth wave pop-rock. But over the years they’ve continued to return…
LIVE REVIEW: The Kooks – Eatons Hill
“I’m not saying it’s your fault. Although you could have done more”. It’s the famous line that begins one of the most overused and beloved songs from all your favourite rom-coms. And it’s a song that has cemented a life time career for The Kooks. Celebrating the release of their fifth studio album ‘Let’s Go…
LIVE REVIEW: FOMO – Riverstage
Kicking off the summer festival season is one of Australia’s newest and already elite music festivals which over the years has brought artists like Post Malone, RL Grime, SZA and ZHU to Australia. But no one was prepared for the mammoth line up that the class of 2019 was brewing. Headlined by Nicki Minaj and…
INTERVIEW: LPX
Delivering high octane and energetic hooks, LPX bursted onto the scene last year with her debut EP ‘Bolt In The Blue’ which introduced her to the world as a solo artist. The MS MR front woman has graced some of the biggest stages all over the world with her synth pop-rock counterpart but she’s returned…
SINGLE REVIEW: Robbie Williams – I Just Want People To Like Me
When artists release b-side compilations they are really done out of a labour of love for their fans. And that’s what Robbie Williams’ ‘Under The Radar’ series has become. With the third instalment due in February, he gives fans a collection of songs that never made it onto his previous records. But in most cases…
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