SINGLE REVIEW: Lauv – Love U Like That

Lauv is beginning a whole new journey as an artist and as a human. Recently coming out as queer, the singer-songwriter has been documenting his thoughts on socials as he navigates this important self-discovery time in a true “how I’m feeling” fashion. As he puts the final touches on his upcoming record, he’s dropped the…

LIVE REVIEW: Arlo Parks – Sydney Opera House

Following the recent release of her sophomore album “My Soft Machine” in May, Arlo Parks has returned to Australia after sold out debut shows last year. With a coveted seat at Splendour The Grass on the cards this time, the British singer-songwriter backed it up with some exclusive headline shows, including a night at the…

LIVE REVIEW: Noah Cyrus – Metro Theatre

Some artists just know how to mesmerise you in the most organic and authentic way possible, and Noah Cyrus confirmed herself one of those artists while in Australia on her debut headline visit. The American singer-songwriter kicked off proceedings in Sydney with a sold out show at the Metro Theatre. The 90 minute intimate affair…

SINGLE REVIEW: Logan – Huh

Introducing your favourite new artist of 2023, Logan. The Gold Coast based singer-songwriter, multi-instrumentalist, dancer, and producer is roaring into his breakout year with a colourful vision of creativity that will have you immediately hooked. Following his bold debut single “Stop And Stare” in May, he’s immediately backed it up with a song full of…

SINGLE REVIEW: Petit Biscuit – You Don’t Ignore (Too Late)

French producer Petit Biscuit is opening a new chapter whilst also hitting listeners immediately in the feels with his infectiously penned new single. “You Don’t Ignore (Too Late)” takes the introspective lyrical foundations of his earlier material and introduces a confident new perspective through bolder production.  Steering into a LAUV and The Weeknd inspired lane,…

SINGLE REVIEW: Gia Woods – Gia Would

Gia Woods, would. Yeah, that is a bit of a mouthful isn’t it? But it’s also a very smart play on words that rising Persian-American artist Gia Woods has implemented in her new pop-banger. “Gia Would”. Taken from her forthcoming EP “Your Engine” which is slated for release later this year, this track screams camp,…

INTERVIEW: Cry Club

Cry Club have found themselves. It’s quite clear from listening to their stellar sophomore record “Spite Will Save Us” (out now) in full that this is the case. There is a radiating confidence that shines throughout from the opening screams of “Get Up!!!” right through to the high octane energy of closing track “I Want…

SINGLE REVIEW: Olivia Rodrigo – vampire

Olivia Rodrigo is entering her sophomore album era, and there’s unsurprisingly a lot of expectation and pressure on what’s coming next following the success of her GRAMMY award winning debut, “SOUR”. She’s revealed that its follow-up “GUTS” will be unveiled in its emotional glory on September 8, but to tease it into the world she’s…

SINGLE REVIEW: Bonnie McKee – SLAY

It’s been ten years since Bonnie Mckee was meant to release “SLAY”. The song got shelved, along with the album “Hot City” following the release of “American Girl”, and for the last decade she thought no one wanted to hear it and that it didn’t deserve to see the light of day. But recently she…

SINGLE REVIEW: G FLIP – The Worst Person Alive

Following the romantic and vulnerable recent single “Be Your Man”, G FLIP has announced the release of their highly anticipated sophomore album “DRUMMER” out August 11. To coincide with the announcement they’ve also dropped the anthemic break-up track “The Worst Person Alive”, which shows a duality to their songwriting. This song is all about the…